#to sit in a forest

[aka-tua-braindump]

Klaus is me when I play D&D and now no one invites me to play anymore.

This was my character in my long campaign that's literally klaus+five

Their character development song list was:

1. Right now by one direction

2. Girl on fire by Alicia keys

3. Centuries by fall out boy

everything klaus does is so intricately and vitally intertwined with every single major plot point in the show and yet he is always on some bizarre side quest. simultaneously the most and least plot involved character.

[millidew]

his change in career has captivated me

bonus:

[sourscratched]

warmup draws w my fave jocks

[kickedin17]

Regional at Best is so special because it feels so exactly like what it is, which is an album made by a young person, younger than I am now, who'd given up everything else to make this dream work and probably had no idea what the hell he was going to do if it didn't. Keep working a normal job? Go back to college? What do you do if the dream doesn't work, when you're an early-20-something who (like all early-20-somethings) has precisely nothing else figured out? What do you do if everyone's right and the art isn't worth it?

Then your bandmates leave. But actually, it turns out perfect anyway, because you end up with this other guy who also has precisely nothing else figured out and no plan B except to be in this very band with you. How rare and precious of a thing that is, to meet someone who believes in your art just as much as you do. At least if you fail you fail together, right?

I think RAB feels like the end of summer and growing pains because it exists in that same itchy, anxious space as your last summer before you graduate high school/college, when it begins hitting you that there will never be a summer like this again because next year you're supposed to be grown up. But the truth is you never figured out how to grow up and you never figured out how to stop dreaming. So many people have to learn that lesson for various reasons, but Tyler and Josh never did because they believed in it so much that I think it truly never could've failed. Even if they never got as big as they did w/ Blurryface, I think they never could've failed because they are for the dreamers.

Self-titled is complicated and beautiful and core to everything else they would do after, but RAB is the beating heart of what tøp was always meant to be imo. It's embracing the fear of getting older because you have no other choice, while acknowledging you're still a little afraid of the dark. It's a night light for the grown-ups who are still scared of long dark hallways they can't see the end of (and work email chains). You turn 23 and discover you probably don't actually want to die as much as you used to, and also that you still think pokémon cards are fucking rad, and both of those things are okay. And maybe you'll never get out of this goddamn town but it never hurts to dream

[happyheidi]

𝑟𝑎𝑖𝑛

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[botanyshitposts]

thinking about trying to do rangeland firefighting for at least one summer while I’m still in my 20s with derangements that make me love toiling like a medieval peasant but in order to do it next summer I would need to undergo a second, less illegal and contentious but some would say more difficult transition with my body. theatre kid to jock

[solargeist]

i made a proper tag for this kid now ! and its so creative guys its #kidxelqua

xelqua as a kid. what trouble will he get into .....

[spirit-lanterns]

Thinking about Jade spoiling Catgirl Reader one day with just a mountain of new cat toys.

Himeko is appalled because she wonders how much Jade has spent on this many new toys, but Jade brushes it off because all she wants to do is see you excitedly scurry around with your new entertainment for the next year.

Also, Jade definitely gets you a cat forest. No, not a cat tree, a cat forest. It’s basically a new mini home for you, and you could even lounge on it in your human form 😅

[aphidclan-clangen]

Spiderglade, how many cats are in DarkForest along with you? Or you’re in here alone?

[midnitecafe]

[icarusredwings]

VERY IMPORTANT ANNOUNCEMENT:

Ahem. The very important announcement is..

The Master takes hot showers when he's lonely because the heat in his chest reminds him of the warmth that he once felt on Gallifrey.

That is all.

This information will be needed for "The Library pt 2"

[moongothic]

Y'know Crocodile's Mushroom Lore kinda makes sense though, like he seems like the kind of person who does appreciate some peace and quiet, having time to himself to relax and enjoy some fresh air (something that would be easy to achieve by just going on a walk in a forest), but also, what is mushroom foraging if not a low-level type of treasure hunting (the "treasure" isn't particularly valuable, but it's edible so it's rewarding in its own right); an oddly fitting hobby for a pirate

[ryuzxzombies]

timmy meets new friends!!

[genericpuff]

what people assume i'm thinking while i'm working on rekindled: "GRRR I HATE LO AND RACHEL!!! I HATE HER SO MUCH!!! THIS WILL SHOW HER AND HER FANS! THIS WILL SHOW ALL OF THEM! I HOPE RACHEL SEES THIS AND CRIES!!!"

what i'm actually thinking while i work on rekindled: "man i'm having a great time working on this but i can't wait to be done with this panel that's driving me nuts. i wonder how i can get that cool splatter effect rachel did in S1. bright colors make brain go brrrr. i can't wait to get to the part where hades clowns on himself. oof i'm hungry, i need to figure out what to have for dinner tonight. oh look, an 11 hour retrospective on the simpsons-"

[jonsnowunemploymentera]

What do you think are the chances that the Others won't be portrayed as these pure evil monsters that need to be stopped but instead will have a sympathetic side.

I understand fandom wanting the Others to be more “humanely" complex, I really do. But I personally don’t think it’s narratively necessary or even interesting to do so. There's absolutely no emotional weight to making the Others "sympathetic" or more human. At least, there's no new themes to be surveyed when exploring this new narrative beat. Do the Others have a history of being systematically oppressed by humans? Not that we know of. Is there a massive power imbalance that heavily favors the humans over them? Not really. If anything, the Others will make easy work of humanity and its our heroes who will have to give everything and more to defeat them. Dany's dragons are certainly not big enough, Jon is struggling to get everyone on the same page, and Bran is a traumatized 9 year old boy with little control over his magic. Humanity's survival stocks are at an all time low at the moment....

Plus, GRRM has already explored these questions in Jon Snow's arc through the wildlings. We also have resolution there. Jon is making a new peace with them. Not only is he bringing them south of the Wall but he is also allowing them to take up posts in the NW (a group they historically warred against). He's allowing them to join Stannis' united realm and become one people with the rest of Westeros. We have a profoundly human conflict where GRRM explores themes of greed and prejudice (e.g., Bowen Marsh and some other members of the NW) measured against deep love and an honor-driven need to save all and any people (i.e., Jon - spoiler: it leads to his death). We have systemic resolution on the horizon plus there's inklings of a promise that the wildlings will be part of the dream of spring through the Gift. Spring, where new life flourishes and grows. If you want a humanized take on the conflict in the North, look no further than Jon Snow's chapters. And I think that's by design - Jon is, after all, the central protagonist in this space.

You wouldn't be able to successfully explore these themes with the Others because it's just too late in the story. GRRM has spent more time avoiding the Others than he has setting them up as characters in this story. I often see the theory that a new pact will need to be forged and the funny thing is that people think Jon will be the one to do it. Nevermind that he already forged a new pact with the wildlings and they start to think of him as their king......It would be quite unsatisfying to repeat this with the Others. We don't know them like we know the wildlings. We don't have a reason to care for their survival, for their children, their villages, or culture. And when it comes to pacts, I assume people are looking to the children of the forest as the blueprint. But the children are established as helpful if not sympathetic figures from the beginning. Bran's later chapters gives life to them and their dying magic. We have reason to care for their survival (the tragedy being that there's so few of them left now) because GRRM sends out one of our two central northern protagonists to them. The children are to Bran what the wildlings are to Jon. So it's a bit useless to use the same formula with the Others since the foundation isn't even there to begin with.

I can't speak for you personally but I think part of why some people want the Others to be sympathetic is because they don't want the typical fantasy battles. They want drama and suspense. Nevermind that I don't think this conflict ends with big battles, but we can have that through our very human protagonists. I assume GRRM is going to explore themes of self-sacrifice, greed, law and lawlessness, etc. on what our human heroes and antagonists do as the conflict unfolds. The Others imo are a vehicle to GRRM exploring what he has admitted to be the all encompassing theme in these books: the human heart in conflict with itself.

I also think it's important to consider that the Others are driven by magical elements that cannot be reasoned with. Do they bring the cold, or does the cold bring them? Either way, I like to think of them as a natural disaster in the same way that we experience tornadoes or tsunamis in the real world. Do you want to reason with a tornado? No. You don't look for morality in them. Instead, when they do happen, you ask yourself: how did the government react? how did systemic racism/classism etc relate to the casualties and response times? how did policy change and who did it? how did communities come together, if at all? We look to the human condition, and that is what GRRM aims to do. These questions are what will be the meat of the conflict against the Others. Not stock fantasy battles but actual human interaction as everything unfolds.

So to your question, I think it's very unlikely that the Others are portrayed as a sympathetic party especially with humanity as the bad guy. Because at the end of the day, the lesson there is just "humans bad". But given ACOK-AFFC with the plights faced by the smallfolk, ASOS and ADWD with Dany's campaign in Essos, and Jon's entire arc starting from ACOK to ADWD, there's nothing new there to discuss. We already know people do bad shit and that brings terrible consequences, so what else is new? Tell me something I don't know.